On March 13th,
I went to the first event of the University of East Anglia Literary Festival
featuring John Lanchester. The Literary Festival is put on by the University of
East Anglia and is sponsored by Waterstone’s, Premier Inn, The Poetry Trust,
Writer’s Centre Norwich, The Last Bar and Restaurant, and Swallowtail Print. Individual
tickets for each event cost six pounds, but people can choose to purchase a
season ticket for forty-two pounds and students can purchase one for thirty-six
pounds. The event is held in Lecture Theatre One, located on the University of
East Anglia’s campus. At the end of each event, the Waterstone’s bookstore
located on campus opens for the author of the night to come sign books for
people if they so choose. This event was, just like the majority of the others,
run well and organized.
John Lanchester has
had work as a football reporter, obituary writer, book editor, restaurant
critic, and deputy editor of the London Review of Books. He contributes
regularly to the New Yorker, has written three fictional novels and two
non-fictional novels, and has won prizes for his work, such as the E.M. Forster
Award. Judging by this information, Lanchester is clearly a prominent figure in
the literary world. At tonight’s event, he was going to be reading excerpts
from his novel titled Capital, which
is about the effects of the economic crash on the lives of people, an issue
that is still prevalent today.
Like every other literary
events I have attended, there was a table in the front with promotional
information about other literary and arts events. However, because this event
was run by the university, there were also flyers about upcoming lectures in
different academic departments. Because the main advertising for literary,
arts, and educational events seems to be at similar in nature at these front
desks, the advertisers are only reaching a select group of people. I can only
wonder if this is done because they only want to advertise to people who take
value in these kinds of events instead of the entire general public. The
audience in this crowd was much older than the audiences in the past events:
the majority of the attendees were elderly, with a few looking to be middle
aged. There were also a few
students. I recognized a student who had attended another event at the Writer’s
Centre workers in the audience. The delegates from the Norwich Showcase, as
mentioned in the beginning of the event, were in attendance. The room was only
a little over half full.
The host of the
evening was an economist named Sean. Though he is not a literary professional,
I believe he was chosen because Lanchester’s novel was about the recent
economic crisis. After Lanchester was introduced by the host, he read an
excerpt from his novel for about a half hour. The section he chose to read was
humorous, portraying the domestic issues of a husband and his wife during the
economic crisis. It is possible he selected a humorous section to read in order
to keep the audience’s attention, as in the past events I have attended, I
noticed that the audience has indeed been the most attentive during the more comedic
parts and readings of the events. After the reading, Lanchester and the host
had a fifteen-minute discussion about the book Capital, as well as Lanchester’s writing in general. Questions were
asked about the difference between writing fiction and non-fictional, about the
financial issues in Capital, and what
Lanchester was trying to accomplish with his story. After this discussion, the
audience was allowed to ask Lanchester questions. Throughout the event, I
noticed the audience was very attentive, and this notion was reaffirmed during
the question-and-answer period. All of the questions were about commentss
Lanchester made during the event, his thoughts on how to write about issues
today, his writing style in general, and about his specific works, including Capital and another work on the economic
crisis called Whoops!. Asking
questions related to comments made earlier in the event demonstrates the
audience was indeed paying attention to Lanchester and was interested in what
he was saying. Also, asking specific questions about his work and writing style
indicate that the audience members most likely were familiar with the author
and his work before they chose to attend the event, and that they really did
want to be there.
After the
question-and-answer period ended fifteen minutes later, the event concluded and
all were invited to Waterstone’s for a book signing. I waited outside of the
event for a bit to see if many people did go to Waterstone’s, but only a select
few did. This shows that though people may have gone to hear Lanchester speak,
not many had a very passionate interest in him, his work, or what he has to say
as they purposely missed an opportunity to meet and speak with him personally.
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